Musée Toulouse-Lautrec and Art Institute of Chicago, Trésors impressionnistes du Musée de Chicago, exh. James Speyer and Courtney Graham Donnell, Twentieth-Century European Paintings (University of Chicago Press, 1980), p. #Water art master series#
Grace Seiberling, Monet’s Series (Garland, 1981), pp. Susan Wise, ed., Paintings by Monet, exh. 
Grace Seiberling, “The Evolution of an Impressionist,” in Paintings by Monet, ed. by Julie Rouart with Camille Sourisse (Flammarion/Rizzoli, 2008), p. Translated by David RadzinowiczasMonet, Water Lilies: The Complete Series, rev. Denis Rouart and Jean-Dominique Rey, Monet, nymphéas, ou Les miroirs du temps, with a cat. James Speyer, “Twentieth-Century European Paintings and Sculpture,” Apollo 84, no. Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. Art Institute of Chicago, “Catalogue,” Art Institute of Chicago Quarterly 51, 2 (Apr. Wichita Art Museum, Three Centuries of French Painting, exh cat. Oscar Reuterswärd, Monet: En konstnärshistorik (Bonniers, 1948), p. Arts Club of Chicago, Origins of Modern Art, exh. Scottish Rite Temple, Central Illinois Art Exposition, exh. George Slocombe, “Giver of Light,” Coronet (Mar. Toledo Museum of Art, Catalogue: Paintings by French Impressionists and Post-Impressionists (Toledo Museum of Art, 1937), cat. Drechsel as “French Impressionists in the Art Institute of Chicago,” Pantheon/Cicerone (Mar. Daniel Catton Rich, “Französische Impressionisten im Art Institute zu Chicago,” Pantheon: Monatsschrift für freunde und sammler der kunst 11, 3 (Mar. C., “Monets in the Art Institute,” Bulletin of the Art Institute of Chicago 19, 2 (Feb. Gustave Geffroy, “Claude Monet,” L’art et les artistes 2, 11 (Nov. Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), p. Galeries Durand-Ruel, Les nymphéas, séries de paysages d’eau par Claude Monet, exh. Ryerson Collection Reference Number 1933.1157 IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Status On View, Gallery 243 Department Painting and Sculpture of Europe Artist Claude Monet Title Water Lilies Place France (Object made in) Date 1906 Medium Oil on canvas Inscriptions Inscribed at lower right: Claude Monet 1906 Dimensions 89.9 × 94.1 cm (35 3/8 × 37 1/16 in.) Credit Line Mr. Monet thus created the image of a horizontal surface on a vertical one. In this spatially ambiguous canvas, the artist looked down, focusing solely on the surface of the pond, with its cluster of vegetation floating amid the reflection of sky and trees. By the time he painted Water Lilies, which comes from his third group of these works, he had dispensed with the horizon line altogether. 
Over time, the artist became less and less concerned with conventional pictorial space. In his first water-lily series (1897–99), Monet painted the pond environment, with its plants, bridge, and trees neatly divided by a fixed horizon. The focal point of these paintings was the artist’s beloved flower garden, which featured a water garden and a smaller pond spanned by a Japanese footbridge. These works replaced the varied contemporary subjects he had painted from the 1870s through the 1890s with a single, timeless motif-water lilies. “One instant, one aspect of nature contains it all,” said Claude Monet, referring to his late masterpieces, the water landscapes that he produced at his home in Giverny between 1897 and his death in 1926.
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